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Ming Dynasty (1368-1644) The Search for
Modern China, 2nd Edition
With hindsight we can see that the Ming dynasty, whose emperors had ruled China since 1368, was past its political peak by the early seventeenth century; yet in the years around 1600, China’s cultural life was in an ebullient condition that few, if any, other countries could match. If one points to the figures of exceptional brilliance or insight in late sixteenth-century European society, one will easily find their near equivalents in genius and imagination working away in China at just the same time. There was no Chinese dramatist with quite the range of Shakespeare, but in the 1590s Tang Xianzu was writing plays of thwarted, youthful love, of family drama and social dissonance, that were every bit as rich and complex as A Midsummer Night’s Dream or Romeo and Juliet. And if there was no precise equal to Miguel de Cervantes, whose Don Quixote was to become a central work of Western culture, it was in the 1590s that China’s most beloved novel of religious quest and picaresque adventure, The Journey to the West was published. This novel’s central hero, a mischievous monkey with human traits who accompanies the monk-hero on his action-filled travels to India in search of Buddhist scriptures, has remained a central part of Chinese folk culture to this day. Without pushing further for near parallels, within this same period in China, essayists, philosophers, nature poets, landscape painters, religious theorists, historians, and medical scholars all produced a profusion of significant works, many of which are now regarded as classics of the civilization.
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